Upon a Midnight Not So Clear, Some Wise Men from the East Appear

There’s a back story to the Magi of Saint Matthew’s account of the Birth of Christ, and it is the Gospel for the Epiphany of the Lord.

In early December each year, prisoners here can purchase a 20-lb food package from a vendor. They drop hints to their families, and those without families scrape and save their meager prison pay all year. No one here wants to pass up a chance to purchase food they otherwise won’t see again until next year. Most are practical about it. They skip the candy and cookies to buy more sustaining items like real coffee, and meal alternatives they can save for the worst days in the prison chow hall.

The packages arrived last week, and for days prisoners have been bringing me samples of their culinary creations. They come to my cell door with an endless parade of sandwiches, wraps, and pizzas. I learned long ago that refusing the food leaves a lot of hurt feelings. They not only insist that I eat it, but they insist on staying until I declare that their culinary skill surpasses all others. It’s beginning to look a lot like Christmas when I have to struggle into my pants in the morning.

There’s a point to these visits. Prisoners tell me about their own back stories, and the prospect of another Christmas in prison. They want to hear that they are not without hope. Most of all, they want to know that Christmas means more than the empty, shallow “holiday season” it has become on TV.

But this morning, my Japanese friend, Koji, stopped by with some coffee he brewed using an old sock. (Trust me, you don’t want the gory details!). Koji handed me a cup — it’s pretty good, actually — and asked, “What can you tell me about the Magi?” That was odd because I’ve been thinking of writing about the Magi for Christmas. I told Koji I’ll let him read this post when finished. Maybe he’ll bring me more coffee made with that old sock of his. Lord, give me the strength to bear my blessings! Anyway, there’s no better place to begin the Magi story than St. Matthew’s own words:

“Now when Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the East came to Jerusalem, saying, ‘Where is he who has been born king of the Jews? For we have seen his star in the East, and have come to worship him.’ When Herod the king heard this, he was troubled, and all Jerusalem with him; and assembling all the chief priests and scribes of the people, he inquired of them where the Christ was to be born. They told him, ‘In Bethlehem of Judea; for so it is written by the prophet:

‘And you, 0 Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who will govern my people, Israel.’

Then Herod summoned the wise men secretly and ascertained from them what time the star had appeared; and he sent them to Bethlehem, saying, ‘Go and search diligently for the child, and when you have found him bring me word, that I too may come and worship him.’ When they had heard the king, they went their way; and lo, the star which they had seen in the East went before them, till it came to rest over the place where the child was. When they saw the star, they rejoiced exceedingly with great joy; and going into the house they saw the child with Mary his mother, and they fell down and worshipped him. Then, opening their treasures, they offered him gifts, gold, frankincense and myrrh. And being warned in a dream not to return to Herod, they departed to their own country by another way.”

— Matthew 2: 1-12

Myth, Midrash, or Both?

This story, as Saint Matthew relates it, is a myth. But don’t get me wrong. That does not mean the story isn’t true. In fact, I firmly believe that it is true. The word, “myth,” coming from the Greek “mythos,” simply means “story,” and makes no judgement on whether a story is historical. Myth is not synonymous with falsehood despite how its more modern meaning has been twisted into such a conclusion. In theology and Biblical studies, myth simply denotes a story imbued with rich theological and symbolic meaning, but that does not mean it’s devoid of historical truth.

Biblical myth is distinguished from legends and “folklore” by the way it offers explanations about the facts of a story. In myth, the explanations stand whether the facts stand or not, and the value of the story does not depend on its historical accuracy. Perhaps the best example is the Creation story of Genesis, Chapter 1. In my post, “A Day Without Yesterday,” the great Belgian physicist, Father Georges Lemaitre, turned modern cosmology on its head with his theory of the Big Bang. For Pope Pius XI, this proof of a universe that begins and ends in history affirmed the elemental truth of Biblical Creation.

When I say that the story of the Magi is true, however, I mean truth in both senses. The understanding the story conveys is the truth. The historical facts of the story are also the truth, and we have no reason to doubt them.

The account of the Magi is also a “midrash.” Midrash is a Hebrew term meaning “interpretation.” It’s a characteristic of many of the reflections in the Aggadah — which in Hebrew means “narrative.” The Aggadah is a collection of Rabbinic reflection and teaching gathered over a thousand years. Midrash is a type of literature from the Aggadah that interprets Biblical texts by linking them together and discerning their hidden meanings.

Like myth, midrash is not a declaration that a Biblical passage is not historical or true just because it contains elements of other Biblical texts. In Saint Matthew’s Gospel, the Magi story points to many elements in Old Testament Scriptures. Jewish Christians hearing Saint Matthew’s account of the Magi, for example, would connect the Star in the East witnessed by the Magi with the star Balaam (a sort of Magus figure) envisioned arising out of Jacob in a dream-like account described in the Book of Numbers 24:17. Herod’s affront with the idea of a Hebrew King in the Magi account echoes Balaam’s vision as well. Herod is of the Edomite clan. In Balaam’s vision, the star arising out of Jacob is a portent that “Edom shall be dispossessed.” (Numbers 24:18).

The account of wicked King Herod feeling threatened by the life of the infant Jesus recalls clearly the Exodus account of a wicked Pharaoh who, having enslaved the Jews, seeks the life of the infant Moses. And in the Infancy Narrative of Saint Luke’s Gospel, the story of Zechariah and Elizabeth conceiving a child in their old age is clearly an echo of the Genesis story of Abraham, Sarah, and Isaac.

In “Saint Gabriel the Archangel: When the Dawn from On High Broke Upon Us,” I wrote of how St. Luke drew many midrashic links with the Hebrew Scriptures in his account of the Angelic visit to Mary at the Annunciation. The account of Mary visiting Elizabeth in the hill country of Judea recalls David visiting the very same place to retrieve the Ark of the Covenant as told in 2 Samuel, Chapter 6. Even the story of the future John the Baptist leaping in his mother’s womb in the presence of Mary is midrashic. In 2 Samuel, David leaps for joy in the presence of the Ark of the Covenant. I find these echoes of the Old Testament to be fascinating, but they don’t leave the story’s historical truth in question, including the Magi story.

I have a modern analogy in my own family. I wrote about my father’s conversion in “What Do John Wayne and Pornchai Moontri Have in Common?” My father’s parents had four children. He grew up with two brothers and a sister. One of his brothers became a priest. A generation later, my father and mother had four children. I also grew up with two brothers and a sister. Both I and my father’s brother who became a priest were the second son in our families. Many of the stories of my own childhood have eerie echoes in my father’s childhood. This is what is meant by midrash.

The Epiphany is depicted in a mural titled “Adoration of the Magi” in the Basilica of the Immaculate Conception at Conception Abbey in Conception, MO. Painted by Benedictine monks in the late 1800s.

The Gifts of the Magi

There are elements within our popular understanding of the story of the Magi, however, that history has added over the centuries. For example, nothing in Saint Matthew’s account indicates that the Magi were three in number. The sole hint is in the number of their gifts: gold, frankincense, and myrrh. And despite the popular Christmas carol, “We Three Kings,” there is nothing in Saint Matthew’s account to indicate that they were kings. This account became linked to a passage in Isaiah:

“And nations shall come to your light, and kings to the brightness of your rising . . . they shall bring gold and frankincense, and shall proclaim the praise of the Lord.”

— Isaiah 60:3,6

And linked as well was a passage about kings bringing tribute in Psalm 72:

“May the kings of Tarshish and of the isles render him tribute; may the kings of Sheba and Seba bring gifts”

— Psalm 72:10

Much theological symbolism for the gifts themselves was reflected upon later. Saint Ireneaus held that the Gifts of the Magi signify Christ Incarnate. Gold, a symbol of royalty, signifies Christ the King. Frankincense, used throughout ancient Israel in the worship of God, signifies divinity, and myrrh, an anointing oil for burial, signifies the Passion and death of the Messiah.

Saint Gregory the Great added to this interpretation with the Gifts of the Magi symbolizing our duty toward Christ in our daily lives. Gold signifies Christ’s wisdom and our deference. Frankincense signifies our prayer and adoration of Christ, and myrrh signifies our daily sacrifices as a share in the suffering of Christ. The names of the Magi — Gaspar, Melchior, and Balthazar — came out of a sixth century legend.

East of Eden

It’s widely held in Catholic scholarship that the Magi represent the first Gentiles to come to worship the Christ. There is one strain of scholarship that makes reference to the fact that they were astrologers who represented the world of magic. Most scholars see the Magi as followers of Zoroaster, an Indo-Iranian prophet who lived 12 centuries before Christ. Throughout the eastern world, followers of Zoroaster dominated religious thought for centuries. And yet there they are, kneeling in the presence of Christ. The symbolism is that as Christ reigns supreme, all other magic goes out of the world and loses its power and authority. It’s a beautiful and powerful image of the universal Kingship of Christ for all time, and the vast change his birth brought to the history of humankind.

I have an additional theory of my own about the hidden meaning of the account of the Magi, but I have been unable to find any reference to it in the work of any Biblical scholar, Catholic or otherwise. So I’m on my own in this wilderness of midrashic symbols. It’s true that the Magi represent all the world beyond Judaism coming into a covenant relationship with God through Christ. But great pains are taken by Saint Matthew to remind us repeatedly that the Magi are coming out of the East — and he capitalized “East.” It seems to me to be intended to designate more than just a compass point. The fact that they came from the East, and saw his star in the East, is repeated by Saint Matthew three times in this brief account.

In one of my posts on These Stone Walls — “In the Land of Nod, East of Eden” — I wrote of how both Adam and Eve were banished East of Eden after the Fall of Man (Genesis 3:24). It was both a punishment and a deterrent. God then placed a Cherubim with a flaming sword to the East of Eden to bar Man’s return.

A generation later, after the murder of his brother, Abel, Cain was also banished. Cain “went away from the presence of the Lord and dwelt in the Land of Nod, East of Eden (Genesis 4:14). The “Land of Nod” has no other reference in all of Scripture, and is widely interpreted to have its origin in the Hebrew term, “nad,” which means “to wander.” Cain himself described his fate in just this way:

“From thy face I shall be hidden; I shall be a fugitive and a wanderer on the earth.”

— Genesis 4:14

I count 21 references to an ill wind from the East throughout Sacred Scripture, but not one such reference after the Birth of Christ. An example is this one from the Prophet Isaiah:

“Measure by measure, by exile thou didst contend with them; he removed them with his fierce blast in the day of the east wind.”

— Isaiah 27:8

For me, the Magi represent also those who have fallen, who have become alienated from God and banished East of Eden. They saw his star there, and followed its light. I am in a place filled with men who lived their entire lives East of Eden, and for them the Magi are a sign of Good News — the very best news. Freedom can be found in only one place: and the way there is the Star of Bethlehem.

Amid the Encircling Gloom

My cell window faces West so my gaze is always out of the East. On this cold and gray December day, the sun is just now setting behind the high prison wall, and glistening upon the spirals of razor wire like tinsel. Its final glimmer of light is just now fading from view. I am reminded of my favorite prayer, a gift from another wise man, Blessed John Henry Newman, and it has become a tradition of sorts as the Sun sets on These Stone Walls at Christmas. I can hear the Magi praying this as they follow that Star out of the East. On my 18th Christmas in prison, this is my prayer for you as well:

“Lead, kindly Light, amid the encircling gloom,
Lead Thou me on.
The night is dark, and I am far from home;
Lead Thou me on
Keep Thou my feet; I do not ask to see
The distant scene; One step enough for me.

I was not ever thus,
Nor prayed that Thou shouldst lead me on;
I loved to choose and see my path,
But now lead Thou me on.
I loved the garish day, and, spite of fears,
Pride ruled my will; remember not past years.

So long Thy power hath blessed me,
Sure it still will lead me on
O’er moor and fen, o’er crag and torrent
Till the night is gone,
And with the morn those Angel faces smile,
Which I have loved long since, and lost awhile.”

The readers of These Stone Walls have cast a light into the darkness and isolation of prison this year. It’s a light that illuminates the path from East of Eden, and it is magnified ever so brightly, in my life and in yours, by the Birth of Christ. The darkness can never, ever, ever overcome it.

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Angelic Justice: Saint Michael the Archangel and the Scales of Hesed

Saint Michael the Archangel is often depicted wielding a sword and a set of scales to vanquish Satan. His scales have an ancient and surprising meaning.

I worked for days on a post about Saint Michael the Archangel. 
I finally finished it this morning, exactly one week before
 the Feast of the Archangels, then rushed off to work in the 
prison library. When I returned four hours later to print the 
post and get it into the mail to Charlene, my friend Joseph
 stopped by. You might remember Joseph from a few of my posts,
 notably “Disperse the Gloomy Clouds of Night” in Advent and
 “Forty Days and Forty Nights” in Lent.

Well, you can predict
 where this is going. As soon as I returned to my cell, Joseph
 came in to talk with me. Just as I turned on my typewriter,
 Joseph reached over and touched it. He wasn’t aware of the 
problem with static charges from walking across these concrete 
floors. Joseph’s unintentional spark wiped out four days of
 work and eight pages of text.

It’s not the first time this has happened. I wrote about it 
in “Descent into Lent” last year, only then I responded with 
an explosion of expletives. Not so this time. As much as I
 wanted to swear, thump my chest, and make Joseph feel just 
awful, I couldn’t. Not after all my research on the meaning 
of the scales of Saint Michael the Archangel. They very much 
impact the way I look at Joseph in this moment. Of course, 
for the 30 seconds or so after it happened, it’s just as well
 that he wasn’t standing within reach!

This world of concrete and steel in which we prisoners live is 
very plain, but far from simple. It’s a world almost entirely
 devoid of what Saint Michael the Archangel brings to the 
equation between God and us. It’s also a world devoid of 
evidence of self-expression. Prisoners eat the same food,
 wear the same uniforms, and live in cells that all look alike.

Off the Wall, And On

In these cells, the concrete walls and ceilings are white — or
 were at one time — the concrete floors are gray, and the 
concrete counter running halfway along one wall is dark green.
 On a section of wall for each prisoner is a two-by-four foot
 green rectangle for posting family photos, a calendar and 
religious items. The wall contains the sole evidence of
 self-expression in prison, and you can learn a lot about a
 person from what’s posted there.

My friend, Pornchai, whose section of wall is next to mine,
 had just a blank wall two years ago. Today, not a square inch 
of green shows through his artifacts of hope. There are 
photos of Joe and Karen Corvino, the foster parents whose 
patience impacted his life, and Charlene Duline and Pierre
 Matthews, his new Godparents. There’s also an old photo of 
the home in Thailand from which he was taken at age 11, photos
 of some of the ships described in “Come, Sail Away!” now at 
anchor in new homes. There’s also a rhinoceros — no clue why
 — and Garfield the Cat. In between are beautiful icons of the 
Blessed Mother, Saint Maximilian Kolbe, Saint Pio, and one of 
Saint Michael the Archangel that somehow migrated from my wall
 over to Pornchai’s.

My own wall evolved over time. The only family photos I had
 are long lost, and I haven’t seen my family in many years. It 
happens to just about every prisoner after ten years or so. 
In my first twelve years in prison I was moved sixteen times, 
and each time I had to quickly take my family photos off the 
wall. Like many prisoners here for a long, long time, there
 came a day when I took my memories down to move, then just
 didn’t put them back up again. A year ago, I had nothing on
 the wall, then a strange transformation of that small space
 began to take shape.

When These Stone Walls — the blog, not the concrete ones — began
 last year, some readers started sending me beautiful
 icons and holy cards. The prison allows them in mail as long 
as they’re not laminated in plastic. Some made their way onto
 my wall, and slowly over the last year it filled with color 
and meaning again.

It’s a mystery why, but the most frequent image sent to me by
 TSW readers is that of Saint Michael the Archangel. There are
 five distinct icons of him on the wall, plus the one that 
seems to prefer Pornchai’s side. These stone walls — the 
concrete ones, not the blog — are filled with companions now.

There’s another icon of Saint Michael on my coffee cup — the 
only other place prisoners always leave their mark — and yet 
another inside and above the cell door. That one was placed
 there by my friend, Alberto Ramos, who went to prison at age
 14 and turned 30 last week. It appeared a few months ago. 
 Alberto’s religious roots are in Caribbean Santeria. He said 
Saint Michael above the door protects this cell from evil. He 
said this world and this prison greatly need Saint Michael.

Who Is Like God?

The references to the Archangel Michael are few and cryptic in the canon of Hebrew and Christian Scripture. In the apocalyptic visions of the Book of Daniel, he is Michael, your Prince, “who stands beside the sons of your people.” In Daniel 12:1 he is the guardian and protector angel of Israel and its people, and the “Great Prince” in Heaven who came to the aid of the Archangel Gabriel in his contest with the Angel of Persia (Daniel 10:13, 21).

His name in Hebrew — Mikha’el — means “Who is like God?” It’s
 posed as a question that answers itself. No one, of course, 
is like God. A subsidiary meaning is, “Who bears the image of
 God,” and in this Michael is the archetype in Heaven of what 
man himself was created to be: the image and likeness of God. Some other depictions of the Archangel Michael show him with a
 shield bearing the image of Christ. In this sense, Michael is 
a personification, as we’ll see below, of the principal 
attribute of God throughout Scripture.

Outside of Daniel’s apocalyptic vision, the Archangel Michael 
appears only two more times in the canon of Sacred Scripture. 
In Revelation 12:7-9 he leads the army of God in a great and 
final battle against the army of Satan. A very curious
 mention in the Epistle of Saint Jude (Jude 1:9) describes 
Saint Michael’s dispute with Satan over the body of Moses.

This is a direct reference to an account in the Apocrypha, and
 demonstrates the importance and familiarity of some of the
 apocryphal writings in the Israelite and early Christian
 communities. Saint Jude writes of the account as though it is
 quite familiar to his readers. In the Assumption of Moses in
 the apocryphal Book of Enoch, Michael prevails over Satan,
 wins the body of Moses, and accompanies him into Heaven.

It is because of this account that Moses and Elijah appear 
with Jesus in the account of the Transfiguration in Matthew 
11. Moses and Elijah are the two figures in the Hebrew 
Scriptures to hear the voice of God on Mount Sinai, and to be 
assumed bodily into Heaven — escorted by Saint Michael the 
Archangel according to the Aggadah, the collection of
 milennia of rabbinic lore and custom.

Saint Michael as the Divine Measure of Souls

In each of the seven images of Saint Michael the Archangel
 sent to me by TSW readers, he is depicted brandishing a sword 
in triumph over Satan subdued at his feet. In five of the 
icons, he also holds a set of scales above the head of Satan. 
A lot of people confuse the scales with those of “Lady Justice” 
the famous American icon. Those scales symbolize the equal
 application of law and justice in America. It’s a high ideal,
 but one that too often isn’t met in the American justice
 system. I cited some examples in “The Eighth Commandment.”

The scales of Saint Michael also depict justice, but of 
another sort. Presumably that’s why so many readers sent me 
his image, and I much appreciate it. However, some research
 uncovered a far deeper symbolic meaning for the Archangel’s 
scales. The primary purpose of the scales is not to measure 
justice, but to weigh souls. And there’s a specific factor 
that registers on Saint Michael’s scales. They depict his 
role as the measure of mercy, the highest attribute of God for 
which Saint Michael is the personification. The capacity for 
mercy is what it most means to be in the image and likeness of
 God. The primary role of Saint Michael the Archangel is to be
 the advocate of justice and mercy in perfect balance — for
 justice without mercy is little more than vengeance.

That’s why God limits vengeance as summary justice. In 
Genesis chapter 4, Lamech, a descendant of Cain, vows that “if 
Cain is avenged seven-fold then Lamech is avenged seventy-seven
fold.” Jesus later corrects this misconception of justice by 
instructing Peter to forgive “seventy times seven times.”

Our English word, “Mercy” doesn’t actually capture the full
 meaning of what is intended in the Hebrew Scriptures as the 
other side of the justice equation. The word in Hebrew is 
”hesed,” and it has multiple tiers of meaning. It was 
translated into New Testament Greek as “eleos,” and then 
translated into Latin as “misericordia” from which we derive 
the English word, “mercy.” Saint Michael’s scales measure 
”hesed,” which in its most basic sense means to act with 
altruism for the good of another without anything of obvious 
value in return. It’s the exercise of mercy for its own sake,
 a mercy that is the highest value of Judeo-Christian faith.

Sacred Scripture is filled with examples of hesed as the chief 
attribute of God and what it means to be in His image. That 
”the mercy of God endures forever” is the central and repeated
 message of the Judeo-Christian Scriptures. The references are
 too many to name, but as I was writing this post, I
 spontaneously thought of a few lines from Psalm 85:

“Mercy and faithfulness shall meet. Justice and peace 
shall kiss. Truth shall spring up from the Earth, and 
justice shall look down from Heaven.”

— Psalm 85:10-11

The domino effect of hesed-mercy is demonstrated in Psalm 85. 
Faithfulness and truth will arise out of it, and together all 
three will comprise justice. In researching this, I found a
 single, ancient rabbinic reference attributing authorship of 
Psalm 85 to the only non-human instrument of any Psalm or 
verse of Scripture: Saint Michael the Archangel, himself.
 According to that legend, Psalm 85 was given by the Archangel 
along with the Torah to Moses on Mount Sinai.

Saint Thomas Aquinas described Saint Michael as “the breath of
 the Redeemer’s spirit who will, at the end of the world,
 combat and destroy the Anti-Christ as he did Lucifer in the
 beginning.” This is why St. Michael is sometimes depicted bearing a shield with the image of Christ.  It is the image of Christ in His passion, imprinted upon the veil of St. Veronica.  Veronica is a name that appears nowhere in Scripture, but is simply a name assigned by tradition to the unnamed woman with the veil.  The name Veronica comes from the Latin “vera icon” meaning “true image.”

Saint Thomas Aquinas and many Doctors of the Church regarded Saint 
Michael as the angel of Exodus who, as a pillar of cloud and
 fire, led Israel out of slavery. Christian tradition gives to 
Saint Michael four offices: To fight against Satan, to measure 
and rescue the souls of the just at the hour of death, to 
attend the dying and accompany the just to judgment, and to be 
the Champion and Protector of the Church.

His feast day, assigned since 1970 to the three Archangels of 
Scripture, was originally assigned to Saint Michael alone
 since the sixth century dedication of a church in Rome in his 
honor.  The feast was originally called Michaelmas meaning, “The Mass of St. Michael.” The great prayer to Saint Michael, however, is 
relatively new. It was penned on October 13, 1884, by Pope 
Leo XIII after a terrifying vision of Saint Michael’s battle
 with Satan:

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St. Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil. May God rebuke him, we humbly pray, and do thou, 0 Prince of the heavenly Host, by the power of God, cast into Hell Satan and all the evil spirits who prowl about the world seeking the ruin of souls. Amen.

---

It’s an important prayer for the Church, especially now. I know the enemies of the Church lurk here, too. There are some who come here not for understanding, or the truth, but for ammunition. For them the very concept of mercy, forgiveness, and inner healing is anathema to their true cause. I once scoffed at the notion that evil surrounds us, but I have seen it. I think every person falsely accused has seen it.

Donald Spinner, mentioned in “Loose Ends and Dangling Participles,” gave Pornchai a prayer that was published by the prison ministry of the Paulist National Catholic Evangelization Association. Pornchai asked me to mention it in this post. It’s a prayer that perfectly captures the meaning of Saint Michael the Archangel’s Scales of Hesed:

“Prayer for Justice and Mercy
Jesus, united with the Father and the Holy Spirit, give us your compassion for those in prison. Mend in mercy the broken in mind and memory. Soften the hard of heart, the captives of anger. Free the innocent; parole the trustworthy. Awaken the repentance that restores hope. May prisoners’ families persevere in their love. Jesus, heal the victims of crime; they live with the scars. Lift to eternal peace those who die. Grant victims and their families the forgiveness that heals. Give wisdom to lawmakers and those who judge. Instill prudence and patience in those who guard. Make those in prison ministry bearers of your light, for ALL of us are in need of your mercy! Amen.”